March is an in-between month, not quite winter and certainly not quite spring, either. Last month, restlessness and impatience nipped at my heels as I dreamed of lilacs and blue skies, only to be met with nor’easter after nor’easter. Snowfall notwithstanding, March brought lots of fun experiences: seeing the Tennessee Williams exhibit at the Morgan Library; listening to Jay Clayton, Sheila Jordan, and Marion Cowings sing at an intimate Upper West Side soirée; and performing with Duchess at Dizzy’s (in the middle of a snowstorm, I might add). March also ushered in occasions to celebrate: my mother’s birthday, the first day of spring, Major League Baseball’s opening day (!), and my fifteen-year anniversary as a New Yorker on March 31.
I suppose at some point I may stop marking my move to New York City as a personal holiday, but the truth is, the anniversary of my arrival in New York feels as significant to me as my actual birthday (August 22, if you’re keeping track). One of the things I have always loved about New York City is its potential and permission for reinvention. A person can live many different lifetimes in this endlessly dynamic city, and the promise of spring reminds me anew that, as Dorothy Parker wrote, “New York is always hopeful. Always it believes that something good is about to come off, and it must hurry to meet it.”
This year, my New York-iversary coincided with Easter and Passover, leading to a very festive weekend and no small amount of rumination on the twin themes of spring and rebirth. On Good Friday, my friend R. and I headed deep into Brooklyn to attend an invite-only dress rehearsal of Jesus Christ Superstar, starring John Legend and Sara Bareilles. We were there thanks to the largesse of a buddy of mine, who was playing lead trumpet in the show (thanks, S.!) and we were blown away by the energy and talent of the musicians and actors.
The following night, my husband, in-laws, and I had dinner at Gramercy Tavern, a longtime standard-bearer of the New York City restaurant scene. In all my years in New York—and the restaurant business, for that matter—I had never eaten at Gramercy Tavern, and the experience more than lived up to its reputation. We were delighted by the profusion of tulips and forsythia at the restaurant’s entrance and the warm, golden light that suffused the room. The service was knowledgeable and unpretentious; the food was elegant, imaginative, and (most importantly) delicious. The entire evening was unforgettable.
Easter Sunday itself was spent with my husband and mother-in-law, walking through the Brooklyn Botanic Gardens. Precious little was in bloom, but we were all heartened by seeing brave little buds on the trees and lilac bushes.
Looking ahead—well, at the moment, the truth is that I’m not looking too far ahead. Spring will arrive when she’s good and ready. In the meantime, there are daffodils from Trader Joe’s, early dinners in cozy locales with friends, piping hot cups of tea in the morning, and other small, quiet joys that make me happy to be right here, right now.
Watched: Woman of the Year. Katharine Hepburn and Spencer Tracy are irresistible. Words and Music. Wildly inaccurate, but delightful to hear so many Rodgers and Hart tunes. Sneaky Pete. Giovanni Ribisi is ridiculously good in this fun show. Jesus Christ Superstar, live and in person!
Read: Playing with the Grown-ups, by Sophie Dahl. I love Sophie Dahl’s writing. This, her first novel, is a coming-of-age story, told with poeticism and compassion, about a young woman with a decidedly unconventional upbringing. At the Kitchen Table, Dahl’s new website with seasonal recipes and thoughtful musings, described by Sophie as “kind of virtual Sunday lunch table, with excellent guests.” Laura Lamont’s Life in Pictures, by Emma Straub. An enormously engaging portrait of the life of a starlet in Hollywood’s golden age. The Pursuit of Love, by Nancy Mitford. God, I loved this book! On the surface, Mitford’s tale of the romantic mishaps and comic foibles of a beautiful British noblewoman could be construed as frivolous, but her prose is laced throughout with laugh-out-loud zingers and sharply intelligent social commentary.