I’ve been a fan of Rebecca Kilgore‘s for many years, now. I remember the first time I heard her sing “I Told You I Loved You, Now Get Out.” I loved her insouciant, intelligent interpretation and sought out more of her recordings as soon as possible. She’s a girl after my own heart—a real song hound who brings little-known, seldom-performed songs to life and makes them her own.
Rebecca’s records often center around a theme, whether paying tribute to a specific singer (Maxine Sullivan), composer (Frank Loesser, Jerome Kern), or an entire gender (I Like Men), and her singing is a natural extension of her disposition: warm, unaffected, and generous.
Rebecca is based in Portland, Oregon, but we lucky New Yorkers have her in our midst this week, and it’s not too late to get your tickets for this evening’s show at the Metropolitan Room. Don’t miss it! To tide you over until then, she has taken time out to answer a few questions for the Spotlight On… series. Thank you, Becky!
Who or what inspired you to pursue a life in music?
My dad was the choir director at the Unitarian church I grew up in (in Massachusetts). He wrote music for the choir, and was always writing music at home. My sister and I used to play recorder duets when we were small.
In the course of your musical development, what has come most naturally to you? What has been the most challenging?
Finding material is the easiest thing for me. I have a long list of tunes I yearn to learn, and it never gets any shorter no matter how many I learn. Most challenging for me is the fact that I make all my charts/lead sheets, with the exception of when I work with Harry Allen and/or Dan Barrett, which is great. I studied basic music theory but wish I had studied harmony and counterpoint.
How do you choose your repertoire? What makes you decide to sing a particular song?
I admit I’m a sucker for a beautiful melody. But the song must also have a compelling story which is economically told. The song “Heart’s Desire” with music by Alan Broadbent and lyrics by Dave Frishberg excels at both music and words.
If you were to choose another profession, what would it be?
I studied fine art in college, and still like design, so it would be something in the visual arts.
What’s the best piece of advice you’ve ever received, on or off the bandstand?
Hmmmmm…. That’s interesting. Someone told me a singer should be able to sing a cappella and still convey the beat, rhythm, and swing. Don’t lean on the rhythm section to do it for you.
Also, working with Dave Frishberg was always an education for me, not by anything he came out and said, but by listening to his musical decisions and good taste.
I don’t like to be the center of attention!
Rebecca is performing tonight at the Metropolitan Room. Get your tickets HERE and treat yourself to an evening of thoughtful, joyful, elegant music-making!