It’s August! The temperatures are hovering in the 90s every day, and the slight sunburn on my shoulders is a (slightly uncomfortable) reminder of yesterday’s picnic on Governor’s Island. Relaxing into August’s hot weather and slower pace feels right, especially after a very fun and very hectic July.
DUCHESS hit the road again last month. We trekked out to the beautiful Emerald City of Seattle, my former stomping grounds, for a few days chock full of gigs, sunshine, and time with dear old friends. We meandered through the Pike Place Market and drank local microbrews at a bar overlooking at Puget Sound. We paid two visits to my favorite restaurant, Le Pichet, and sipped some rosé at David Butler’s chic downtown wine bar, Le Caviste. We even kicked up our heels, with a post-gig after-party that included copious amounts of guacamole and a spontaneous dance-off. Thanks in part to a fantastic write-up in the Seattle Times, our shows at Tula’s and PLU’s Jazz Under the Stars were sold out, so the trip was a resounding success.
A bit later in the month, DUCHESS debuted at Jazz at Lincoln Center, taking the stage at Dizzy’s Club Coca-Cola for two nearly sold-out sets. We also performed in Tarrytown, singing an outdoor show for the Sunset Jazz at Lyndhurst concert series. It was the perfect way to close out our very busy summer; our next shows are in September, when we travel to California for the Monterey Jazz Festival and gigs in LA and the Bay Area.
In my solo singing life, I returned to Pompie’s Place for a couple of performances. Ehud Asherie, the show’s pianist and musical director, has assembled a very swinging band, and it’s been fun singing solos and duets with vocalist Lezlie Harrison in this cabaret/theater hybrid. The New York Times came out and wrote a great review, and we’ve got two more shows this month: August 7 and August 21.
A couple of interviews hit the airwaves last month: my appearance on Song Travels with Michael Feinstein aired on NPR, as well as my conversation with Judy Carmichael for Sirius XM’s Jazz Inspired. It’s always fun to talk about songs, singing, and life in the arts with kindred spirits, and both Michael and Judy are such thoughtful, generous hosts.
Looking ahead, August happens to be my birthday month, so I have a favor to ask: will you please take a moment, right now, to vote in the DownBeat Readers’ Poll and the HotHouse Jazz Awards? You’ll find some familiar names in there, including (ahem) yours truly in DownBeat’s female vocalist category, as well as DUCHESS in several categories (both polls).
Things are a bit quieter on the gig front in the coming few weeks, so I intend to go to the beach, hear some live music, and surrender to the slower rhythms of the dog days of summer.
Watched: Downtown theater. My friend Jennifer Peterman and her writing partner, Tom Gualtieri, teamed up for a reading of some of their respective work to benefit Stage Left Studio, a performance space that had served as an incubator for developing works in New York City for ten years but which was closing due to the ever-escalating Manhattan rents. In that spare, tiny theater, Jen and Tom brought characters to life—characters that they had created—and made us all laugh and cry with their honesty and humanity.
I also saw Melissa Ritz perform her one-woman show, Bombshell of Rhythm, about the 1930s female bandleader, Ina Ray Hutton. She not only conceived and wrote the entire show, she sang, danced, and played multiple characters, commanding the stage for 75 minutes. Melissa has performed Bombshell of Rhythm throughout the USA and, by sheer dint of her moxie and imagination, she has brought new life to a largely forgotten figure of American popular music.
This kind of open-hearted, grassroots storytelling is deeply moving to witness and, I believe, crucial to the creative soul of a city. Sadly, in Manhattan, the skyrocketing rents are making it harder and harder for fledgling artists to do their work. I implore all of us to go out and support new works in off-the-beaten-path venues.
Read: The Music at Long Verney, by Sylvia Townsend Warner. My friend Michael Steinman edited this collection of short stories, and I trust both his aesthetics and heart. Warner’s cool, reserved prose took a bit of time to get used to, but yielded rich rewards, like this gem:
“For though it was news to her that she had the soul of an artist, she accepted the revelation. It isn’t what you do that matters; everyone has a right to earn a living, and fooling a wiling public is as good a way as any other. They enjoy it, you enjoy it, everyone’s happy. Where the soul of an artist comes in is when you won’t let the public fool you.”
Listened to: Jackie Wilson. I’ve been a fan of Mr. Excitement for many years; his rendition of “Danny Boy” is, for my money, one of the greatest vocal performances ever recorded in any genre, in any era. Pure greatness.